This is something i love doing with my characters. It is almost as satisfying to develop a character as it is the story, to me.
by Nat Leblanc
So you’ve got a great idea for a novel or story that you’re DYING to tell. The premise is profound, the symbolism is subtle, and the big reveal at the end is going to blow your readers’ minds. You throw together an outline and show it to an editor friend. They read over it and turn to you.
“Why do I care about these people? What do they want?”
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